Showing posts with label Japanese. Show all posts
Showing posts with label Japanese. Show all posts

Go Go Japan

On one of the last weekends of 2011 some Japanese bands came to town. Thanks to Dan for asking me to crawl around the stage and pit, and thanks to him, Steve and Giles from CAMA for putting on another great night of live music. Including...

Electric Eel Shock:

Japan, Finally

Reflections: Tokyo, Japan

On March the 11th of this year, in the middle of the afternoon, an earthquake measuring 9.0 on the Richter Scale struck off the east coast of Japan. It was one of the five most powerful earthquakes ever to occur globally since record-keeping began at the beginning of the last century. Such was its force, it is estimated to have shifted the Earth by up to ten inches on its axis. The resulting tsunamis pulverised the coastline, sweeping away entire towns and killing nearly 16,000 people; almost 5,000 are still missing. Further down the coast, in Fukushima, a tsunami knocked out the generators of the Fukushima Daiichi Nuclear Power Plant, and the reactors overheated, releasing radioactive material into the surrounding air and water.
Like many, I watched with horror as the tsunamis ate their way across the coastal plains, and then with disbelief as TEPCO tried to prevent nuclear meltdown with hoses and buckets of water dropped from helicopters. I saw the pictures of lines of people queueing for food in Tokyo, the empty supermarket shelves and blackouts. I read about the radiation found in vegetables, in Tokyo's drinking water. Friends of mine living in central areas of Honshu travelled southeast to escape any potential nuclear fallout, and some were even evacuated from Japan and returned to Europe by the military.

I had bought a ticket to travel to Japan six months earlier but despite the risk, or lack of risk depending on who you believed, there was no way, barring a full-scale nuclear disaster, that I wasn't going to use it. So at the beginning of April, in a virtually empty plane, I landed in Tokyo for the first time.

Having never been there before I can't say that the city had changed, but there was a pretty subdued atmosphere. Many foreigners had left and no-one was sure if they would return. There were still regular aftershocks, some of which hit during the day, some of which shook you awake at night. In fact, it wasn't even certain that these were aftershocks. There was talk of a new faultline, of a massive earthquake soon to come, closer to or even directly under Tokyo. The radiation leaking from the nuclear power plant 230 kilometres from the capital hadn't yet been brought under control and total meltdown was still a possibility. But for every person who would tell you that the government was concealing the truth and that worse was to come, another would say that the news coverage was hysterical and that nothing was as bad as it seemed. In these strange and uncertain circumstances it seemed that the city and its population were tensed, crouched and waiting. That the buildings and the ground they're built upon were insubstantial, ephemeral. Yet also at this time, blanketing and gradually weaving its threads into the pervading tension was a hushed sense of peace, of a slowly restored calm. Spring had arrived. And the flowers of that Japanese symbol of hope and renewal, the sakura, were blooming on the trees - unfolding their petals and opening themselves once more to Tokyo's quiet, trembling air.

Sea, Saws, Swords, Sashimi

Walking around the massive Tsukiji Fish Market in the south-east corner of Tokyo it's hard to believe there's anything at all left in the ocean. Men heave huge frozen tuna onto wooden benches, saw them up, thaw them out and carve them into pieces with swords. Everywhere there are polystyrene boxes spilling over with slippery tentacles and glassy-eyed fish. You need to be alert to avoid being mown down by the small trucks whizzing around the paths, and also be aware that, generally speaking, the fishermen are tired of tourists, so ask permission and don't get in their way - they have swords. At the back of the market there are a couple of alleys of small restaurants where you can eat sashimi and sushi from the morning's catch: reward for resisting the temptation to sink your teeth into one of those succulent fish as you slithered your way through the market.

Slow Japan - Part Eight

I was only in Kyoto for a night, but it was enough to fall in love with its mix of the traditional and the modern, the beautiful and the seedy. Zen rock gardens, temples and, of course, the old teahouse-lined pleasure district of Gion where you can come face to face with ancient Japan. To which I say - "Great! Really 'sugoi' and just the sort of thing I want to see."

But then I also feel like I should say this:

Slow Japan - Part Seven

This picture both is and isn't of Kyoto's Golden Temple. Well, really it is.



Slow Japan - Part Six

Suzaka nestles in the Kiso Mountains a short train ride from Nagano. I worked in an apple orchard and it felt good to work outside in the fresh air, with good company and surrounded by snowy peaks. Each day at midday a loudspeaker bleeped lunchtime and later on, in the afternoon, a male voice floated slowly over the fields saying something, I don't know what. Both these sounds went bouncing through the clear air, echoing down the valley and I wish I'd had something to record them with; though the noises had officious roots they were calming and strangely beautiful. Anyway, I have no idea why I'm writing this as clearly there's no way to photograph such things. But what I could photograph was part of a wooden bridge in the sakura-splattered surrounds of Garyu Park.



Slow Japan - Part Five

From Zenkoji temple in Nagano; built in the 7th Century and location of the Key to Paradise (if you can find it).



Slow Japan - Part Four

I zipped across to Kobe from Osaka on an afternoon visit; not even long enough to swallow a slice of famed, tender beef, though adequate time to have a look around the harbour and find this funky little girl looking at a mechanical installation in a dockside shopping centre.



Slow Japan - Part Three

Osaka is done and this is a shot of the clock atop Tstutenkaku. My friends Shin and Satomi took me there to get some panoramas of the city. The reflections from the glass were messing with my world so Satomi convinced one of the guys who worked in the tower to take us outside; normally this isn't allowed at night so it was a privilege to walk around the perimeter with the city lights spread out below us.